Guido Faleschini Tucroma Chairs for i4 Mariani, Italy ca. 1970. Beautiful cream leather with original embossed saddle leather strapping and tubular chrome frames. Leather is in very good original condition, has been conditioned and cleaned professionally. Strapping is free from breaks and very good. Very comfortable, stylish and hard to find in this color palette, these chairs are an excellent example of Guido Faleschini designs and stand the test of time. Sold as a set of 4.
Height: 33 in
Width: 21 in
Depth: 26 in
Seat Height: 18 in
American of Martinsville Walnut Dresser or Credenza, ca. 1960. Beautiful american walnut in excellent original condition with hardly any wear. Retains original finish. Nice walnut grain and corner detailing with dovetail drawers and original hardware. Measures 58″ W x 19″ D x 32″ H Excellent original condition 9/10
Bjorn Wiinblad for Rosenthal Studio “Eva” Vase, ca. 1975. White porcelain, this is the more scarce model of the “Eva” face vase from Rosenthal Studio Line. Perfect vintage condition. Measure 14″ H
Pair of Neils Moller Model 77 Armchairs, ca. 1960. Beautiful original pair of Neils Moller armchairs in sculpted teak with paperboard woven seats. Excellent original condition we rate at a 9/10 with hardly any wear. This pair is gorgeous and very solid with no weak joints or breaks/repairs. The solid sculpted teak has great patina and the seats are pristine. Height: 30.5 in Width: 22.5 in Depth: 19 in Seat Height: 17 in
Teak Credenza by Johannes Aasbjerg for Aasbjerg & Ørtoft, ca. 1960. Johannes Aasbjerg designed for his company, Excellent Furniture Company in Denmark. This cabinet is exceptional with solid teak outer cabinet frame with exposed joinery and beautiful smooth gliding doors. The Arne Fodder style drawers also feature dovetail joinery with the top two drawers lined in original felt. Inner adjustable shelving. Finished on the reverse side, this beautiful piece is very well made and solid teak shell is rare and difficult to find. Professionally restored in showroom condition. Measures 72″ W x 32″ H x 20″ D
Early Eames DCW in Ash, ca. 1955. Iconic and classic Charles Eames for Herman Miller DCW (dining chair wood) in Ash. Marked with impressed DCW on underside. This chair is in good overall condition.
Walnut Dining Table by Merton Gershun for Dillingham Esprit Collection, ca. 1970. Beautiful walnut slab dining or conference table with book matched walnut leaves in very good original condition with hardly any wear. The leaves are removable (stored separately) and table can be compressed to use in smaller spaces or office. Gorgeous book matched American Black Walnut with self leveling feet and sliding leaves easily installed by one person. Also includes original felt protective pads for the top. Measures as shown 108″ L x 38″ W x 29″H Can be compressed without leaves to 72″. Leaves are 18″ Wide Each and can be used separately or together. Leg Clearance is 27″
Walnut Credenza by Merton Gershun for Dillingham, ca. 1970. Beautiful American Black Walnut with hinged doors and two inner drawers with adjustable shelving. In beautiful original vintage condition, this piece has hardly any wear and is a 9/10 condition. Self leveling feet allow for exact tolerances with the brass hinged doors. Walnut grain is classic and deep with great depth and detail. Measures 74″ W x 19″ D x 30″ H. Heavy, solid piece with beautiful lines.
George Nelson OMNI Walnut Wall Unit, ca. 1960. Beautiful original early OMNI walnut and aluminum wall unit by George Nelson for Herman Miller. Original shelving with 3 shelves, one magazine rack and one larger desk. Includes wall mounting hardware and all shelving brackets as shown, even the original tool for adjusting shelving heights. Walnut shelves are in very good original condition would rate as a 8.5/10 and the poles are excellent and include original pole end cushions/stoppers. Inquire for shipping quote, due to the dimensions the quote listed is higher than actual cost.
As shown measures 64″ W x 88″ H x 19.5″ D (Wall mounting hardware not included, you will need secure drywall anchors or bolts, consult your contractor)
The OMNI shelving system emerged in conjunction with a complete corporate design program for Structural Products Inc. of Charlotte, Michigan, a subsidiary of Aluminum Extrusions. The goal was to find new ways of using the extruded aluminum products made by the company. The shelving system is supported by aluminum rods. These rods are either rectangular (with slits on each side) or round (with six slits). They are inserted using springs on both ends between floor and ceiling, and are cut to suit this purpose. In the slits, horizontal aluminum supports can be inserted for the shelves and shelving modules. The various components—storage elements, table panels, and lamps—make the shelf into a kind of all-purpose item for varied situations: living room, study, kitchen, or office. The OMNI shelving system can be seen as a further development of the StrucTube system that Nelson had developed for use in exhibitions and was used at Colonial Williamsburg. At the same time, the OMNI shelving system is the predecessor of the Comprehensive Storage System, produced by Herman Miller.